Re-approaching the mundane with a hybrid of brutalism, essentialism, and post-modernism to create a flexible design and art space.

View More

Florence + The Machine’s The Voice Finale performance of ‘Hunger’, a flowing set was created to match Florence’s unconfined and fluid performance. The all-encompassing design transformed The Voice into Florence’s world.

View More

Continuously evolving the Stussy retail language of deconstructed basic materials, we kept familiar elements of the previous stores while at the same time introducing new ones such as perforated metal and molded fiber glass.

View More

Using Anderson Paak’s own visual language to bring a two-dimensional collage to life, we turned the stage into a surreal 3-dimensional space.

View More

An elemental geometric floorplan comprised of right angles, circles, and triangles all built out of common construction materials, keeping in line with the new Stussy retail aesthetic of elevated unfinished construction site.

View More

Doodles and her own handwriting gives the impression of peeking inside Florence Welch’s notebooks for the ‘High As Hope’ Album.

View More

An oversized elemental architectural form serves as the stage and is exposed to intensify the focus on Jay-Z as he delivers an equally transparent performance.

View More

Mundane construction materials are exposed, made modern and punctuated by polished elements, giving a nod to several schools of modernism for Stussy’s La Brea storefront.

View More

Roving monoliths and a surprise performance force the audience to react as two titans of sport come together to connect fans and athletes. Elements are revealed in segments and without warning to displace audience and force interaction.

View More

A disorienting romp through St. Vincent’s colorful fifth album carves out space in our collective brain matter for a new female pop personality—one that is equal parts sexy, smart, surreal, and absurd. Strong bright colors and high contrast visuals are carried across album packaging, faux interviews, music videos, and general campaign.

View More

Clean and elemental construction materials are used to create an open and bright retail space. Light-colored wood and clean metal edges parallel the smooth lines of the store.

View More

For Ocean’s festival shows, an intimate and sparsely adorned stage is integral to the immediacy of his performance. Proximity, precise set design, and artful video tracking give audiences a peak into the artist’s subconscious and the feeling they are in the studio, watching the music come to life for the very first time.

View More

Directed by Willo Perron, “Los Ageless” plays on the stereotypes of Los Angeles and draws the viewer into St. Vincent’s farcical yet relatable world. Bright contrasting monotone colors are used to tie the visuals to St. Vincent’s album campaign. Special effects create disturbing and beautiful scenery.

View More

Drawing inspiration from the modern reality of how our experiences and consciousness are constantly mediated through technology, the Tour video is a teaser to come and explore G Dragon’s glitchy and subversive discovery of self.

View More

For the launch of KKW Cosmetics the private residence of Mrs. Kim Kardashian West is transformed into a landscape of elegant geometry. The monochromatic nude color palette allows for travel through rooms of the residence to feel like seamless transitions and celebrates the ethos of the lines packaging.

View More

For Tame Impala’s Panorama Festival performance, towering video screens bath the crowd in technicolor visuals, obscure the band on stage and lead the audience to zone out on the beautiful visuals.

View More

WP&A conceived a minimal and restrained vision for Jay-Z’s most transparent album yet. Using ‘4:44’ as the only artwork for the album forces the consumer to focus solely on the message without distraction.

View More

The design of St. Vincent’s ‘Fear the Future’ tour reflects the dominance, vulnerability, and humor of the album. Strong colors incorporated in the outfits and instruments, mixed with visuals from faux interviews and music videos, create an ongoing visual through line.

View More

Split through three acts, the show takes the audience on a journey through G Dragon’s subversive and sometimes harrowing identity journey. Act One celebrates G-Dragon, the performer. Act Two displays the conflict between G-Dragon the performer, and Kwon Ji Yong, the man. Act 3 leaves us in introspection as the facade is dismantled to reveal Kwon Ji Yong, the man, alone and unadorned.

View More

The xx’s I See You album shifts the band’s focus. No longer in need to reconcile with one another, the I See You Tour turns defiantly inward and calls for self-reflection. The result is serenity and reconciliation with oneself.

View More

Concrete cinder blocks meet marble slabs, giving Stussy’s newest Toronto retail store a sense of polished industrialism. Living florae breathe life into the cold, unfinished construction site environment.

View More

By dancing with gravity, the fantastical world of Stargate is unlocked for their debut single, “Waterfall”, featuring Sia and P!NK.

View More